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Can the New Rotolight HSS RGBWW Flashes Change Studio Strobes?


LED lights may be very enjoyable, however we’re nonetheless not fairly satisfied that they’ll outdo flashes and strobes. Nevertheless, Rotolight is at present funding one thing extremely intriguing on Kickstarter. The brand new Rotolight NEO 3 and Rotolight AEOS 2 are model new LED lighting merchandise. They’re making the pitch to each photographers and filmmakers. However what’s actually making our eyes sparkle is the promise of a high-speed sync gentle. This has been one of many many shortcomings for LEDs over time. However did Rotolight lastly get it proper?

Rotolight NEO 3 Tech Specs

  • 16.7 Million colours or 2,500 digital filters
  • Zero recycle time promise
  • USB charging battery
  • Touchscreen
  • Excessive velocity sync flash, although there aren’t many particulars on this
  • Built-in flash receiver through Elinchrom
  • Bluetooth and Wifi
  • F-stop dimming
  • 354 grams
  • 3,000 – 10,000 kelvin

Rotolight AEOS 2 Tech Specs

  • 16.7 Million colours or 2,500 digital filters
  • Touchscreen
  • Excessive velocity sync flash, although there aren’t many particulars on this
  • Built-in flash receiver
  • Bluetooth and Wifi
  • F-stop dimming
  • 1.4kg
  • 120 watts of sunshine, no phrase on watt second output
  • 3,000 – 10,000 kelvin

Can it Change Your Flash and Your Studio Strobe?

I’m actually scratching my head on the Rotolight AEOS 2 and the Rotolight NEO 3. Rotolight, of their press packet, is evaluating these lights to LEDs and to not flashes. That instantly tells me that it’s in all probability not going to outdo what a studio strobe can do. There’s additionally no main data concerning the high-speed sync capabilities. Additional, there’s no phrase on the flash length or watt-seconds. Nevertheless, a whole lot of the promotional imagery exhibits the lights getting used on-camera. For a photographer, these appear fairly unwieldy. Not to mention, I’m unsure which self-respecting photographer would shoot an occasion with an LED shining in somebody’s face. I’ve had that carried out to me, and I hated it.

In case you’re placing the sunshine off-camera, they’re a bit restricted. What when you needed to place it in a magnificence dish, softbox, or one thing else? You’d want a fairly loopy gentle modifier setup. 

The most important issues with LEDs are nonetheless the next:

  • Flash length: this stops quick movement at slower shutter speeds. So that you don’t want to enter the nuclear excessive ISO zone. Plus, it might probably act as a second shutter velocity at occasions. 
  • Excessive Velocity sync: Rotolight is claiming that they’ll do that, however we don’t have a whole lot of particulars on it.
  • Energy: I significantly don’t wish to elevate my ISO ranges up if I don’t should. 

In comparison with the facility output of a flash or studio strobe, LEDs simply don’t appear to make sense on a regular basis. Additional, strobes and flashes usually have LED modeling lights constructed into them. These are normally robust sufficient for many conditions. 

With out testing the Rotolight AEOS 2 and the Rotolight NEO 3, I’m nonetheless not completely certain. In my eyes, LED lights and all that they do nonetheless encourage a world the place you must do limitless post-production to a nonetheless picture. However flashes and strobes actually encourage you to get it proper in digicam. Sure, LEDs are simpler to work with for certain. However they’re additionally by no means highly effective sufficient.

Lastly, I’m additionally hoping that Rotolight will get its ethics in line. The picture business has began to alter for the higher, and we’re fairly agency on making certain that it retains evolving. The lights are being funded through Kickstarter. So go test it out if you’re .





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