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Atomos Ninja V and Ninja V+ Replace Brings ProRes RAW to Sony FS Sequence, LUMIX BS1H, and EOS R5


Atomos Ninja V and Ninja V+ Update Brings ProRes RAW to Sony FS Series, LUMIX BS1H, and EOS R5

The brand new AtomOS 10.71 firmware replace provides ProRes RAW help for added cameras. The Ninja V+ can document uncooked video from the legacy Sony FS collection cameras (FS5, FS5 II, FS700, FS700R, FS7, FS7 II) as much as 2K 240fps, 4K 60fps, and 4K 120fps for 4s bursts. The Ninja V can now document as much as 5K ProRes RAW from the Canon EOS R5. Each Ninja V and Ninja V+ can even document as much as 5.9K ProRes RAW from the Panasonic LUMIX BS1H.

At the moment, Atomos releases the brand new AtomOS 10.71 firmware replace for its NINJA V and NINJA V+ monitor recorders. The replace contains ProRes RAW format recording choices for the legacy Sony FS collection, Canon EOS R5, and Panasonic LUMIX BS1H. The AtomOS replace additionally contains new options for the AtomX CAST which bought a separate article. Now, let’s check out what’s new with the Ninja V and Ninja V+.

ProRes RAW with the Ninja V+ on Sony FS collection cameras

The FS700 from Sony is nearly 10 years outdated now, however that doesn’t maintain Atomos from bringing new compatibility for the digital camera together with different legacy Sony FS fashions for the Ninja V+ recorder. Though the outdated Atomos Shogun was in a position to document uncooked video output from the FS7 and FS700 already six years in the past, the addition of the Ninja V+ and Prores RAW compatibility does add some new capabilities.

Sony FS5 II. Supply: Sony

The Ninja V+ Professional Equipment (or Ninja V+ with the AtomX SDI Unit and SDI RAW activation) now help the recording of ProRes RAW from the FS5 (requires paid RAW improve from Sony), FS5MKII, FS700 (requires paid RAW improve from Sony), and FS700r with steady output immediately from the sensor as much as 2K 240fps, 4K 60fps and 4K 120fps for 4s bursts. RAW output at 4K 60fps and 2K as much as 240fps may also be added to the Sony FS7 or FS7MKII with the addition of the XDCA-FS7 module.

The out there resolutions and framerates:

Sony FS5 (with RAW Improve) / FS5 II

  • 4K (4096 x 2160) at 24p, 25p, 30p, 50p, 60p, 100p, 120p
  • 2K (2048 x 1080) at 100p, 120p, 200p, 240p

Sony FS700 (with RAW Improve) / FS700R

  • 4K (4096 x 2160) at 24p, 25p, 30p, 50p, 60p, 100p, 120p
  • 2K (2048 x 1080) at 100p, 120p, 200p, 240p

Sony FS7 (with XDCA-FS7) / Sony FS7 II (with XDCA-FS7)

  • 4K (4096 x 2160) at 24p, 25p, 30p, 50p, 60p
  • 2K (2048x 1080) at 24p, 25p, 30p, 50p, 60p, 100p, 120p, 200p, 240p

Please word that 4K at 100/120p is obtainable in an S&Q burst mode which is buffered within the digital camera and output as a 60p sign. The burst length is ~4 seconds. WB & ISO Controls in FCP are usually not out there on this launch.

Canon EOS R5 and Panasonic LUMIX BS1H

Along with the Sony FS collection, Atomos additionally provides compatibility with the Canon EOS R5 and Panasonic LUMIX BS1H cameras. Within the case of the EOS R5, the Ninja V now provides as much as 5K ProRes RAW video, whereas the extra highly effective Ninja V+ can document the complete 8K ProRes RAW from the digital camera which Atomos launched already in summer season.

Sony FS5 and Canon EOS R5 with Ninja V and V+ recorders. Supply: Atomos

In terms of the LUMIX BS1H, the combo with the Ninja V and V+ recorders permits for as much as of 5.9K 30fps, 4.1K 60fps, and three.5K 50fps anamorphic 12-bit ProRes RAW video.

ProRes RAW Recording framerates and resolutions – LUMIX BS1H with Ninja V or Ninja V+:

  • 5.9K (5888 x 3312) at 23.98p, 25p, 29.97p
  • 4.1K (4128 x 2176) at 23.98p, 25p, 29.97p, 50p, 59.94p
  • 3.5K Anamorphic (3536 x 2656) at 23.98p, 25p, 29.97p, 50p, 59.94p

WB and ISO Controls for FCP Settings slider changes can be found.

Panasonic LUMIX BS1H with Ninja V+. Supply: Atomos

Ninja V and Ninja V+ recognized limitations

Atomos additionally printed an inventory of recognized limitations concerning the Ninja V and V+ recorders:

  • The next video indicators from the DC-GH5S are usually not supported on the Ninja V for ProRes, DNx, and H.265 modes: (C4K 8bit 150M 60p, C4K 8bit 150M 50p, 4K 8bit 150M 50p.)
  • In some instances, the Ninja V could not lock to a RAW video sign from the Olympus OM-D EM1 Mark III for ProRes RAW, when the Ninja V is switched between playback and document modes.
  • Ninja V could not recommence recording robotically when momentarily dropping video sign lock from the Sony Alpha 7SIII or Olympus OM-D E-M1 Mark III attributable to a defective cable connection.
  • Non-RAW Twin Hyperlink SDI video can’t be monitored when in ProRes RAW mode. To watch and document Twin Hyperlink SDI modes please use both ProRes or DNx modes.
  • In some instances, dual-link video from the Panasonic Varicam LT could not lock when switching from single hyperlink video mode. Please reboot the Ninja V if this happens.
  • If switching between totally different digital camera fashions while HDMI Compatibility mode is chosen, be sure that you reboot the Ninja V earlier than connecting a brand new digital camera.

Worth and Availability

The AtomOS 10.71 firmware replace is obtainable now freed from cost from the Atomos web site. The Ninja V monitor recorder sells at the moment for $499 and the Ninja V+ prices $999.

Do you continue to use any of the Sony FS collection cameras in your work? Would you pair the digital camera with the Ninja V or the Ninja V+ to document ProRes RAW? Tell us within the feedback part beneath the article.



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